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Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]
Trebuchet 18: Foreign Objects [Worldwide]

Trebuchet 18: Foreign Objects [Worldwide]

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Trebuchet 18 - Foreign Objects

[Includes postage to worldwide addresses - outside the UK] 

One’s Destination Is Never A Place, But A New Way Of Seeing Things — Henry Miller

Contemporary Art:

Our Foreign Culture: Cité Internationale Des Arts

Outsider Stars: Sverre Malling

Dalí’s Lobster Phone And The Language Of Desire

Curves Of Thought: Simon Tayler

Bones, Helmets And Uncomfortable Truths: Victor Spinelli

The Inevitable Otherness Of Being Human

Foreign Objects In Local Places: Orobie Biennial

Europe’s Art Weeks Come Together: Spider Network

The Insecurity Collection: National Galleries

The Oracle Speaks In Silence: Ljubljana Biennale

Price include P&P - Ships from Nov/Dec 2025
144 Pages, Luxury Print

Featuring: 

Maison Mirabeau @maisonmirabeau
Cite international des Artes @citedesartsparis  
Niki Gifford @nikigifford
Digswell @digswellarts
Mermaid Gin @mermaidgin
Maison mirabeau @maisonmirabeau
Victor Spinelli @victorspinelli1
Aleph Gallery @aleph.contemporary
Kristen Hjellegjerde @kristinhjellegjerdegallery
Marian Goodman NY @mariangoodmangallery
Studio Nicola Jeffs @studionicolajeffs
Arts PR @artspr.co.uk
Barry Taylor @ukbloke
Ruth O'Sullivan  @waysofcreating
Simon Coates @simon_coates
Graham Harman
Wanting Wang @witwit_wang
LUAP @luap
James Johnston @jamesfjohnston
Peter Van Dyck @petervandyck
Marcus Rees Roberts @marcusreesroberts
Saul Williams @saulwilliams
Samuel Suffren @samuelsuffren
Celia Gondol @celiagondol
MACS MTO @macsmto
Yoshimi Futamura @yoshimifutamura
Sverre Malling @sverre_malling
Simon Tayler @simontayler_artist_sculptor
Jo Lawrence @jo_lawrence_
Steve Reich
Max Easterly
Chus Martinez @the_chus_martinez
Gamec / Orobie Biennale @gamec_bergamo
Maurizio Cattelan @mauriziocattelan_fake
Julius Von Bismark @juliusvonbismarck
Amsterdam Art Week @amsterdam.art
Berlin Art Week @berlinartweek
Mona Stehle @monastehle
Martina Halsema @martinahalsema
Ljubljana Biennale @mglcljubljana
Kathryn Siegrist
Silvan Omerzu
Gabriel Abrantres @itsgabrielabrantes
Benedict Alliote
The Mountain Goats @mountaingoatsmusic
Drew Mullholland @norelmwood1967
Crab & Lobster North Yorkshire @crab_and_lobster_yorkshire
Penguin @penguinukbooks
Cadmean Dawn Records @cadmeandawn
Subexotic Records @subexoticrecords

 

 

---- 

Corrigendum Pg14-23
While both shows have curatorial direction from Cité internationale des arts Culture Programme Manager Nataša Petrešin-Bachelez, Cité as an institution is only associated with the show at the Louvre. Resonant is a separate curatorial project and should be credited to MACS MTO and the initiative for practices and visions of radical care. Saul Williams' series and work was titled “Ancient European Depictions of the Palestinian Christ” not “Jesus was Palestinian”.