Trebuchet Issue 8: Contemporary Surrealism
Is surrealism finished? Writer Edward Winters suggests that, like conceptual art, surrealism may have hit a cultural peak and has thus dissipated creatively into widespread acceptance, that it might be ‘over, yet everywhere’.
From billboards to fiction, it has become so common to include elements that touch on the unreal, odd corners of the psyche, or on psychological themes, that their absence is often more remarkable than their inclusion. So, the challenge in this issue is to investigate what surrealism means now.
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Contents
12: Lovecraft, AI, and the Limits of Human Imagination: Madness and unfathomable depths in literature.
By Scott Dorward
28: Sacred Vestments—Internal Roles: the crush of bodies at Chalton gallery
50: The Fabric of Our Lives: The massurreal deconstruction of Prof. Nadia Wahdan
56: Prismatic Reality Distortions: Screen grabs and future constructs in the work of Ian Francis
78: Skeuomorphic Resonance: Dominic Harris: Life as art as interaction.
92: States Of Resistance,Works Within Works: The digital journey of Marjan Moghaddam
102: Fascist Metal Mystic: Decoding our futurist longings in the work of Tullio Crali
124: Beyond This Space: The transcendent choreo-photolist art of Benji Reid
136: Surrealist Lessons In freedom Of Speech: The roots and ramifications of boundaries.
by Martin Lang
152: Surrealist Realism: The surreal practice of 21st century populism.
by Alexei Monroe
158: In Spirit: Surrealism: over, yet everywhere: Mica McDonald and Sofia Mitsola.
by Edward Winters
172: Material Bodies: The fabric of being: Daisy Collingridge
Plus regular articles:
Art Fairs
Art Market: Surrealism
Cover Artist: Benji Reid